Utilisateur:Laura Conant : Différence entre versions

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(Contenu remplacé par « =Scan to OCR= ==Comment une machine peut-elle reconnaître du texte== ==Traitement d'un PDF avec Tesseract== ===''Scans et sortie du texte''=== ===''Poster''=== »)
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(→‎Scans et sortie du texte)
Ligne 3 : Ligne 3 :
 
==Traitement d'un PDF avec Tesseract==
 
==Traitement d'un PDF avec Tesseract==
 
===''Scans et sortie du texte''===
 
===''Scans et sortie du texte''===
 +
<br>
 +
[[Fichier:Senslecture.png|sans_cadre|500px|centré]]<br>
 +
<br>
 +
→ Sens de lecture opéré par Tesseract sur le document pdf.
 +
 +
<pre>
 +
Hackers
 +
 +
ducers
 +
 +
as
 +
 +
 +
 +
Pro
 +
 +
Artists and hackers both represent contemporary
 +
types of unconventional authorship. In their own
 +
respective ways, they both appear as autonomous
 +
producers and not as contractors. Their autonomy
 +
is based on an aspiration towards individual freedom,
 +
but they each justify this in completely different ways.
 +
In an emphatic sense, freedom is the foundation of
 +
an artist’s work. This freedom legitimates or even
 +
demands a demiurgic act of positioning from which
 +
the work then unfolds — and it justifies the close
 +
relationship between “author” and “work”. In contrast,
 +
a hacker begins by experiencing an absolute dearth
 +
of freedom. His work unfolds while dealing with an
 +
 +
Felix Stalder
 +
 +
183
 +
</pre>
 +
 
===''Poster''===
 
===''Poster''===

Version du 12 novembre 2019 à 16:40

Scan to OCR

Comment une machine peut-elle reconnaître du texte

Traitement d'un PDF avec Tesseract

Scans et sortie du texte


Senslecture.png



→ Sens de lecture opéré par Tesseract sur le document pdf. 

Hackers

ducers

as

 

Pro

Artists and hackers both represent contemporary
types of unconventional authorship. In their own
respective ways, they both appear as autonomous
producers and not as contractors. Their autonomy
is based on an aspiration towards individual freedom,
but they each justify this in completely different ways.
In an emphatic sense, freedom is the foundation of
an artist’s work. This freedom legitimates or even
demands a demiurgic act of positioning from which
the work then unfolds — and it justifies the close
relationship between “author” and “work”. In contrast,
a hacker begins by experiencing an absolute dearth
of freedom. His work unfolds while dealing with an

Felix Stalder

183

Poster

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